Wednesday, January 29, 2020

The Qualities of a Friend Essay Example for Free

The Qualities of a Friend Essay Friends can come in different personalities, shapes, and forms. Someone could have a friend that is shy or outspoken. But to be a friend one must have certain qualities to be considered a friend. A friend must be trustworthy, honest, and loyal. One of the main qualities of a friend is to be trustworthy. To be trustworthy means that one would be able to tell the other secrets without worrying, that the friend would go and tell someone else the secret. Without trust, a friendship would not last. There would be drama and issues between the two where the friendship would crumble and would make the two hate each other. For a friendship to have trust and it lasts is one of the best things one could ask from a friend. Another quality a friend should have is honesty. Honesty means to be honest and to never tell a lie. If a friend has this quality one should keep them close by because they are dependable. An honest friend would not keep someone in the cold; they would always tell the other the truth. For example, if one asked the other about a decision that the other made if it was the right or wrong choice, that friend would give an honest answer. So being honest is one key factor of being a friend. Lastly, another quality is to be loyal. To be loyal means to never turn one’s back on the other; he or she would never leave the other behind. A loyal friend will always be on the side of the other and never leave the other behind. One could have done something selfishly, but if that friend has loyalty then he would still be a friend. Loyalty is a must if one would like to be considered a true friend. When people gain a friend in life that person will not be perfect. He will have many flaws just as anyone else. But for that person to be a great friend he or she would have these three qualities: to be trustworthy, to be honest, and to be loyal.

Tuesday, January 21, 2020

Sonnet 50 :: essays research papers

William Shakespeare's "Sonnet 50" ,on first read, is the story of a man on a sad journey, leaving a loved one and riding a horse that seems more reluctant to go than he does. Upon second evaluation one must ask, why would it pain the horse to leave? The answer is that the horse represents the writers heart. The trudging journey in the sonnet is a metaphor for the speakers grief and pain of parting with someone he loves. In stanzas 1-4, the speaker's problem is brought to light. For some unknown reason, the speaker cannot be with his friend any longer and must move on. He says that his journey's end will be when he can say to himself with no pain, "Thus far the miles are measur'd from thy friend!" If he can reach that point, his grief will truly be over. The beast that he rides, which would most likely be a horse, is introduced in stanzas 5-8. The horse "plods" along slowly as if, "by some instinct" it knows that the speaker doesn't really want to leave. The speaker "lov'd not speed, being made from thee." "Thee" refers to the person the speaker is parting with. The horse is, in a sense, the speaker's heart, reluctant to keep moving, although it must bear his grief. The speaker, in stanzas 9-12, frequently gets frustrated and tries to force himself on, as shown by the "bloody spur" which indicates repeated use. The groan that the beast makes from the spurring is "more sharp to me[the speaker] than spurring to his[the beast's] side". The more the speaker tries to force himself along, the worse his pain. Knowing this, in stanzas 13-14, the speaker says, "My grief lies onward, and my joy behind." He is leaving what makes him happy, therefore, he will be sad.

Monday, January 13, 2020

Do Not Go Gently Into That Good Night

Do Not Go Gentle Into That Good Night â€Å"Do Not Go Gentle Into That Good Night† is a villanelle style poem written by Dylan Thomas, and is the poem he is best known for. It was left untitled by the poet therefore the first line of the poem became the title. The speaker in the poem begins by telling the reader to â€Å"not go gentle into that good night† line 1 using night as a metaphor for death. The theme of death is repeated at the end of line 2 with â€Å"close of day† and in line 3 with â€Å"dying of the light. By the end of the first stanza it is obvious this poem is speaking of death and stating that old men should not accept it peacefully but to should â€Å"burn† and â€Å"rave† against it with great intensity. In the second stanza of the poem the speaker tells us that â€Å"wise men at their end know dark is right,† line 4 the speaker is telling us that death is inevitable. To every beginning there is an end and we will all face death at some point, a wise man knows and accepts this fate. This stanza also tells us that as we are nearing the end of our lives we tend to reflect back to the impact we made on the world.Since â€Å"there words had forked no lightening† line 5 the speaker suggest that they had made little impact on the world in which they had lived and could not simply give into death without a fight. In the third stanza the speaker proposes that â€Å"good men† fight the inevitable with all their might. Thomas uses the image of a wave â€Å"last wave by, crying how bright† line 7 about to crash into the shore or, die. As men approach the shore of life they cry out how much more fulfilling life could have been if they had been allowed to live longer.Their lives would be so much richer if they were allowed to dance in the â€Å"green bay. † The green bay representing life because it is full of living things such as algae and seaweed. However their future actions  "frail deeds† will not be able to come to fruition because they must die. Stanza four speaks of â€Å"wild men† those who grab life by the horns and live it to the fullest â€Å"wild men who caught and sang the sun in flight† line 10 only to discover that the life they lived so charismatically is slowly oming to and end as they wither with age. The â€Å"sun† in line 10 represents the beauty that exists in the world, and â€Å"flight† as in across the sky symbolizes the life span that moves quickly to the sunset of our days. In opening with â€Å"Grave men, near death, who see with blinding light† line 13 in stanza five Thomas uses the pun â€Å"grave† to speak of the seriousness of a dying man. As men grow older they begin to lose the sense of sight, however the speaker states they will â€Å"see with blinding light. line 13 Even though they may be suffering from loss of physical sight they can see with perfect clarity that end is ne ar and while they may not be in control of the timing of their death they certainly choose the manner in which they handle it. The speaker suggests they â€Å"blaze like meteors† line 14 and go out with a bang instead of giving into to death without a fight. Finally in the last stanza of the poem we get to the heart of the matter. The speaker is addressing his father who is on the verge of death.The father’s death is devastating and the speaker implores him to fight passionately against it and leave this life heroically. The poem ends with the two lines that were repeated throughout the entire poem â€Å"Do not go gentle into that good night, Rage Rage against the dying of the light† lines 18 and 19 the speaker is begging his father to not submit to death but to fight it every step of the way. Works Cited Dylan Thomas. â€Å"Do Not Go Gentle into That Good Night† Literature: An Introduction to Reading and Writing. Ed. Edgar V. Roberts and Robert Zweig. 10 th Ed. New York: Pearson Longman, 2012. 959 – 960. Print

Sunday, January 5, 2020

Gambling Social Factors Essay - 777 Words

Social factors contribute to the initiation and maintenance of gambling behavior. For example, the most frequent reason for gambling among older adults reported was to socialize with friends [1]. In a collegeaged sample, social factors were the third most cited motivation to gamble [2]. Based on Becker’s early studies on the initiation of drug use [3,4], Reith Dobbie [5] argue that the social environment interacts with the individual, such that an individual learns how and where to gamble from his or her social network. Recreational gamblers and pathological gamblers (PGs) who were introduced to gambling in early life were at the greatest risk of developing gambling problems [5]. Further, as adolescents age and their gambling involvement†¦show more content†¦(In a socio-centric network analysis, by contrast, information is gathered from each person, about each person, in a relatively closed network.) A frequent focus of SNA studies is homophily, or the tendency of individuals who are similar in their beliefs, attitudes and behaviors to be linked more frequently and more closely in social networks than those who are dissimilar [11]. In his classic housing study, Festinger [12] found evidence of homophily based on propinquity, the tendency of people who live close together to be more connected. Social network analysis is also used to examine the structural characteristics of social networks. One structural characteristic that may affect addictive behavior is network density, which reflects how connected are the members of a network to each other. Dense networks make it easier for egos to observe and to replicate the behaviors of alters in their network [13]. SNA and addictive behaviors Within the DSM-IV, pathological gambling (PG) is categorized as an impulse control disorder defined by symptoms including loss of control of gambling, preoccupation with gambling and persistence despite negative consequences [14]. The DSM-5 will most probably categorize PG under Substance Use and Addictive Disorders, reduce the diagnostic threshold from five to four symptoms and eliminate theShow MoreRelatedWestern Exportation Of Contemporary Casino Leisure1304 Words   |  6 Pagesfloor. During my time working for Crown and for other operations, I spent the majority of those years in the VIP gaming rooms that specially catered for specific ethnicities. There are various factors that contribute to the relationship between casinos and the Chinese and Vietnamese peoples. In the following essay I explore the Western exportation of contemporary casino leisure and entertainment spaces to Asia. 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